Ryerson University (CANADA)
About this paper:
Appears in: ICERI2010 Proceedings
Publication year: 2010
Pages: 7139-7145
ISBN: 978-84-614-2439-9
ISSN: 2340-1095
Conference name: 3rd International Conference of Education, Research and Innovation
Dates: 15-17 November, 2010
Location: Madrid, Spain
From the images taken by citizen photojournalists, the news media select the most emotionally engaging shots. By and large creating icons, news media uses these shots in such a way as to make them memorable. What would be otherwise mundane shots if not for the fact that the photos and videos are from witnesses or survivors of the news event. Because photos of the people who lived to tell of the tragic incidents are inimitable, the power of such images are valuable in a historical, social and emotional context. This paper will examine how such iconic photographs are enabled by improved technology used by citizen photojournalists. A question to be addressed is how amateur photojournalism has emerged and changed the history of press photojournalism. The framework used will be through the concept of “public culture” (Hariman and Lucarites 2008). Citizens capture scenes that are not unseen before: from survivors’ perspectives to exposing government and official authorities’ misconducts in an unedited, direct format, which breaks down barriers of hidden agendas, of false idealism of a nation. The Public culture’s image has changed as citizens present another perspective which reveals more truth and objectivity than traditional journalism and made its photographs iconic. Citizen photojournalism, with the advent of new technologies, will continue to thrive until citizens themselves might be the reporters of news events, presenting in-depth, unbiased form of news analysis.
Iconic images, Citizen Photojournalism, Citizen Video Journalism, News Press, News Photographs.